francis poulenc flute sonata

[It] adds a worthwhile new dimension to the music: the long-drawn sad melodic lines played by the flute, especially in the first two movements, are complemented in a way not possible on the piano". French composer Francis Poulenc was born in Paris in 1899. Twentieth Century Music for Flute: Francis Poulenc, Sonata for Flute and Piano, Bela Bartok, Hungarian Peasant Suite, Claude Debussy, Syrinx, for solo flute and Serge Prokofiev, Sonata for Flute and Piano by Francis Poulenc, Bela Bartok, et al. Notes to Nimbus CD NI 5933, Battioni, Isabelle (2000). Each of the work's three movements is fluent and graceful in different ways. [14] The movement begins with two quavers on the piano, which are echoed by the flute during the course of the next two bars. [2] Poulenc was too busy to accept, but Spivacke persisted. 4 ... By Francis Poulenc Mathieu Lussier, Normand Forget & David Jalbert. Later recordings include those by Julius Baker with Lisa Logan and Mathieu Dufour with Éric Le Sage. [1], Poulenc considered giving the American premiere together with Rampal during a planned US tour, but the tour did not take place and Rampal gave the American premiere in February 1958 with his regular accompanist Robert Veyron-Lacroix. Poulenc told him, "Much more at home with wind instruments than strings, I admit I am tempted by this combination", as he had always preferred winds – with their similarities to the human voice – to stringed instruments. Scores published by J. The difficulty is the entirely pianistic nature of the accompaniment, extremely difficult to translate into orchestral terms. The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, for flute and piano, was written in 1957.It is dedicated to the memory of Elizabeth Sprague Coolidge, an American patron of chamber music. 0.0/10 The work is dedicated to the memory of Coolidge, one of the twentieth century\'s greatest champions of chamber music. • Page visited 129,833 times • Powered by MediaWiki [7], Asked about the term "cantilena", Poulenc replied that it "is not a fixed form like passacaglia for example, it is a free form … I could have called it an interlude ("intermède") or a romance". & W. Chester, Ltd. Works first published in the 20th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Jean-Pierre Rampal (1922-2000), flute part. 07 /00 6 0 / 1 23. Fragments of the first section's airborne melody intermingle with ecstatic spurtings of the middle theme. Written in 1956-57, this is an elegant, dreamy chamber work and he has demonstrated his obvious compositional skill, also highlighting the French affinity with the sweet sounds of the flute. 0 05 5/ 3 - 0 556057 - 1 - 3 2 - 3 8 9: -; 3 - 3 1 1. Poulenc composed it for the flautist Jean-Pierre Rampal, and he and Rampal gave the première in June 1957 at the Strasbourg Music Festival. ^...^. [5] When he had completed the first two of the three movements, he wrote to his friend Pierre Bernac: On 18 June 1957, the public premiere was given at the Strasbourg Music Festival by the flautist Jean-Pierre Rampal, for whom it had been written, with the composer at the piano. [28], In working on this Flute Sonata I have the feeling of going back a long way, but with a more settled technique. 8 mars 2019 - Découvrez le tableau "Francis Poulenc" de David Bogaerts sur Pinterest. In its song-like tune Poulenc acknowledged there were echoes of Sister Constance in Dialogues des Carmélites but the effect here is purely lyrical – an "infinite melody" (mélodie infinie) – with none of the drama of the opera. The Flute Sonata is as typical of Poulenc as anything he ever wrote, combining as it does elegant charm and brashness, and embodying a disarming combination of innocence and sophistication and a naturalness that seems to stem directly from the boulevard cafés. [n 1] In August he agreed to go ahead. Voir plus d'idées sur le thème francis poulenc, compositeurs, musique classique. [27], The orchestral arrangement has been recorded by Galway with the Royal Philharmonic Orchestra and Charles Dutoit, and later by Emily Beynon with the BBC National Orchestra of Wales and Bramwell Tovey, Jennifer Stinton with the Scottish Chamber Orchestra and Steuart Bedford, and Bezaly with the Residentie Orkest Den Haag and Neeme Järvi. [12] After a slightly faster middle section there is a recapitulation of a kind with, in Mellers's words, "enharmonic ambiguities that justify the 'malinconico' of the directive", and: The flute part is technically demanding in this movement, with frequent trills and demisemiquaver tonguing. Flute Sonata, FP 164: I. Allegro malinconico. ... First performance on 18 June of the Sonata for Flute and Piano, at the Strasbourg Festival, by Jean-Pierre Rampal accompanied by Poulenc himself. The first … makes clear the composer’s elegiac intentions; the second is a haunting cantilena for the flute. , extremely difficult to translate into orchestral terms flute Part [ B *... Prolific compositional output bounces, in a helter skelter gallop ''. [ 8 ] and Patricia Harper issued! Pascal Rog é PREVIEW sonata for flute and Piano leading to a contrasting theme also. May Perhaps by authorized by the composer ’ s own cause was by... Irony and sentiment '' in the piece [ 2 ] Poulenc was to... 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